Ode to the Trench Coat

Ode to the trench coat 

April showers bring May flowers and when singing in the rain the go to cover-up is the trench coat.  Developed by Burberry or Aquascutum, depending on who you ask, this wardrobe staple began its famous history in trenches across the pond draping the shoulders of British officers (http://en.wikipedia.org/wiki/Trench_coat ).  With pockets for maps and other necessities, detachable linings, and a waterproof construction this jacket is too practical and versatile to be quashed with a treaty and peacetime.  The trench coat, in a variety of reinventions, has invaded every shore and enjoys more play in fashion, and day-to-day life than it ever did in battle (thankfully). 

 

Audrey Hepburn in Breakfast at Tiffany's

Humphrey Bogart

The trench literally keeps you warm and dry while figuratively keeping you cool.  Humphrey Bogart wore one, so did Dick Tracey. Cool, calm, and business like.  The trench attended breakfast at Tiffany’s with Audrey Hepburn while Gerald Ford zipped a bullet proof lining into his tan, classic trench.  Many a superhero hides a costume under this garment, Gene Gray, Gambit, and the Punisher come to mind.  In black leather, the trench casts an ominous tone for villains, or a cool low-key persona hiding Neo in the shadows of the matrix.  The trench is somewhat mysterious yet practical, and always crisp.

Twiggy in mod blue trench

Over the years the trench has been reinvented in fashion in many different ways.  It was mod in the 1960s.  Helmet Newton paired it with heels for a sexy look in the 1970s.  Every decade remakes it, details perfected for the feeling of the day.  It has been short, long, pleated, classic and colorful.  It has had shoulder pads, bows, and all kinds of button shapes.  Double rows of buttons and pointed collars are characteristics but not required.  Vintage, new, or revisited in reference, the trench is a staple to stay. (Great slide show: http://www.bbc.com/culture/story/20131024-the-trench-coat-for-all-seasons) 

With a chill in the air, and the risk of a shower around every corner, this wardrobe and historical staple has seemed the perfect item to grab from my closet.  Over the years, I feel lucky to have accumulated a variety of trench like options.  They never fail to leave me feeling versatile, invincible, and a little provocative.  

BB Dakota

Forecaster International
Vintage

Kensie

Gap

Mossimo

Old Navy

 How do you reinvent yourself and the trench?

Diana, a celebration

DIANA, a celebration is currently on display at the Cincinnati Museum Center through August 17^th 2014.  This sparkling exhibit has travelled the globe to allow Diana’s admirers an up close glimpse of her life in all its facets.  Cincinnati is the final stop on this worldwide tour.  At the tour’s conclusion all of its contents will be returned to William and Harry.  The display provides a well-balanced look at the life and work of Diana Spencer princess of whales. 

You often hear of Diana’s beauty, compassion, fragility, and her ability to relate to everyone.  All of these aspects are reiterated in the exhibit.  For me, the impressive takeaway however was about versatility.  It takes a remarkable woman to be able to balance an outward softness of a mother, strength of a humanitarian and political figure, sparkle of a crowd favorite, and the sophistication of a princess.  She not only achieves this balance, but also was able to accomplish it in a way that seems entirely genuine.  To me it is that versatility that makes Diana a role model and icon.

The exhibit starts by exploring the lineage that brought Diana to her royal life. “The Spencer women” gives a view of her family genealogy and the legacy Diana chose to continue with her work.  Coming from a long line of strong women, Diana’s family is woven through history. A number of familiar names known for their socialite abilities to impress through entertainment, and those that impressed with their philanthropy precede Diana in her family tree.  Diana is remembered philanthropically with her ancestors.

Georgiana Cavendish may be familiar as the Duchess of Devonshire.  She was celebrated for her beauty, style, political activism, support of women’s suffrage, and allegedly notorious adventures.  She was immortalized in paintings by Thomas Gainsborough, Sir Joshua Reynolds, and later by Hollywood with the movie “the Duchess.”  She was also born Georgiana Spencer and contributed not only to the impressive Spencer public expectation but also to the family heirloom jewelry collection.  Georgiana is just one notable name in a full family tree. 

Riviere necklace
picture from
https://princessdianabookboutique.wordpress.com/2008/11/

Seeing personal heirlooms passed through generations is a treat.  ‘The Spencer women” gives insight into Diana’s family as well as presents some of the family jewels in sparkling splendor.  Here too is a note to versatility.  The beauty of Diana’s stunning crown is a combination of two previously crafted jewelry pieces.  Apparently, this combination and reworking is a common practice in the royal jewelry vault.  One item, a Riviere necklace originally belonging to Georgiana Spencer, is constructed so that every diamond, all hanging diamond pendants, and several large pearl drops are all detachable.  One portion of the necklace can be worn as a bracelet.  Reworking, reinventing, and repeating great things in new ways is not a new trend but one that Diana carries on with grace.

The next portion of the exhibit is dedicated to presenting an intimate view of Diana’s childhood and formative years.  It includes home movies, mementoes’, personal journals, report cards, animal figurine collections, dance shoes, photos, and many other personal items.  These small details are touching.  It is an unusual view of Diana as a girl and a lady.  Diana’s softness comes through in the bubbly handwriting, and the chipped animal statuettes, in the details. 

Diana is relatable as a girl and young woman, and yet you see all of the extra attention that goes into raising a Lady.  The details of her childhood could be similar to many.  Then as she grows older she goes to finishing school.  It is this point in the exhibit where you start to see the differences in upbringing.  With bound books to track seating charts and details of hosted social events, to programs scrawled with what was worn and who was met in the margins, every Lady must take care of the details.  Training to be a nanny or a kindergarten teacher in school, and at the same time training for a life more formal.

Following Diana’s upbringing is a review of the royal courtship and marriage.  Looking smitten in tartan and the 1980s, this section focuses on the official timeline and keeps things positive.  A room of pictures and letters is followed by Diana’s famous wedding dress.  Puffy sleeves, special lace, a family heirloom tiara, and one very impressive train fill the room.  The details and handwork exhibited in the famous dress and shoes are impressive.  The royal wedding plays and it is a reminder of a romantic time. 

Princess Diana wearing her favorite: pink
meeting with Sri Chinmoy,
Kensington Palace, May 21st 1997

Next is a room lined with many of the dresses famous in images of Diana.  This could also double as a review of the fashion of the 1980s and early 1990s as the styles of the time are distinctly present.  Each ensemble is accompanied by a description of how it was chosen, how it was worn, and how accessories were added to wear the outfit again in a fresh way.  Some ensembles are accompanied by descriptions of how Diana chose them or felt while wearing them.  The evolution of Diana is illustrated in her fashion.

A room dedicated to the causes she found so important is inspiring.  Through videos, writings and itineraries you see the dedication and compassion for the suffering.  You see the Princess bring light to challenging issues and to the faces of those she met and consoled.  Diana is described as shy but she overcame this challenge and shined in some of the most difficult situations.  Diana finds her voice and passion in embracing those often cast off. 

The exhibit transitions to the tragic conclusion of her life.  A floor to ceiling case is stacked with books of letters to Diana and her family.  Chills ensue at the illustration of how many lives she touched.  The final public statement from Diana’s brother papers a wall.  Rose petals carpet the floor, and a video of her funeral procession plays on screen as “Good bye English Rose” pays tribute musically over the scene.  Diana’s life is cut short, but her memory lives on.

Concluding the exhibit is a call to action.  Additional information about Diana’s causes lay in wait for action  to be carried on by inspired exhibitioners. 

The Cincinnati Museum Center is also featuring a companion exhibit Daughters of the Queen City.  This exhibit brings light to the local history of women that have dedicated their lives to philanthropy.  Photos, local periodicals, brief and lively descriptions of contributions, and the occasional wedding dress provide a view of all aspects of these dedicated women’s’ lives.  The companion exhibit also concludes with an opportunity to participate with additional information on how to be involved and an artistic station to encourage young involvement.

http://www.cincymuseum.org/exhibits/diana-a-celebration

http://www.dianaexhibition.com/dianaexhibition

Stylish movie review: Diana Vreeland: The Eye Has To Travel

Diana Vreeland: The Eye Has to Travel

2011 

Directors: Lisa Immerdino Vreeland and Bent-Jorgan Perlmutt

http://www.dianavreeland-film.com

Based on the memoires of Diana Vreeland. 

I recommend this movie.  I recommend this movie on a cold day on the couch when you don’t want to seem to get out of your pajamas.  The story of Diana Vreeland is one of excitement, color, and making life your own.  I had forgotten this joie de vivre momentarily.  Or rather had forgotten that life can be mingled with fantasy to incredible ends.  This visual memoire is a great reminder.

Diana Vreeland: the Eye Has to Travel tells Diana’s story with her own words and the words of those closest to her.  It describes the greatest parts about her and the reasons she is famous.  It is balanced as well, hinting at the areas of her life that were not as exceptional but not dwelling on them.  The result is a balanced and complete view of her life and a reminder of the greatness that life can be. 

Spoiler Alert!!!  Synopsis:

Diana Vreeland (pronounced Dee-anna) was born in Paris during the Belle Epoque.  Born to a beautiful woman and “a very British” father.  Her mother used to tell Diana, “Too bad for you that you have such a beautiful sister and you’re so very ugly,” and her father did not allow much emotion.  What her childhood lacked in nurture, it was filled with excitement from the start. These themes emerged through her life.

“My education was the world.” Diana described the Belle Époque as being full of excitement.  She loved the Ballet Russes.  Both to watch and in life as her parents were good friends with the dancers.  When Diana was 10 years old the family moved to New York.  She saw the country and out west met Buffalo Bill.  She described him as beautiful and had great adventure in a new land.  While there was great adventure she did not have an easy time.  Diana could not speak English and did not do well in school.  They moved her to a Russian school.  She indicated she did not need to speak.  All she did was dance.  It was here that she learned, “If I was going to make it I was going to have to stand out.”  Her name then was Dalziel Gaelic for “I dare.”  And she dared.

“You have to be alone in your suffering in youth,” said Diana.  Until one day you wake up and see the light.  For Diana, this awakening came in the roaring 20s’ the favorite time of her life.  She recollected people saw her as fast but she didn’t care.  “Never before did women wear exposed backs, or dressed cut off at the knee.”  She remembered of Josephine Baker that she was the only one that stood out in the chorus line, “She had that pizzazz.”  It was a time of excitement; a time when being different was beginning to be celebrated. 

Diana was never comfortable about her looks until she met Reed Vreeland.  She described him as very elegant, and it was love at first sight.  He took her to London just before the market crash of 1929.  She described London as the first place she truly learned English.  She also described, “the best thing about London” as being Paris, “It was raining all the time.  People danced with strangers… It was hideous and Marvelous.” 

In Paris she began her introduction to clothes.  She adored Coco Chanel and felt she was the word on style.  Coco would personally complete fittings for Diana.  On this process Diana commented, “I adored fittings.  I would go to three fittings for a night gown.”  Diana then started her own shop for ladies undergarments.  She commented that she fitted Ms Wallis Simpson for three nightgowns for a weekend getaway.  It was after this getaway that Edward abdicated his claim to the thrown in lieu of giving up Ms Simpson.  Whether it was the nightgown that brought down the crown is hearsay but Diana’s affair with clothing and style was long confirmed.

Diana and Reed had two sons and moved back to the US.  Diana described her family life as not very exciting.  She glazed over questions about her children.  Redirecting the conversation to tidbits of historical grandeur.  Her son’s described her as a horrible mother.  So focused on being different, to be average was not acceptable.  They wished for their mother to be more motherly.  The relationship with Reed was described as one of a dancers partner, supportive and catching her when she needed but letting her freedom to dance as she pleased.  It is implied, as a mother she lacked the nurturing she received as a child.

“Money is vital” Diana felt and she went to work because they never had much of it.  She was discovered at a party for her fashionable dress.  She had never worked a day in her life.  “Why don’t you try it?” She was enticed to join Harpers Bazaar and stared writing “Why don’t you…” in the midst of a recession throwing out ideas that were adventurous, perhaps even frivolous, to take people away.  Her writing, like her comments, appeared not to be edited but where rhythmic and a surprise.  She rejoiced in working.

She was made fashion editor of Harpers Bazaar and was attributed with contributing “imagination and an original point of view.”  Here she highlighted the fashion of the time as well as made it.  She brought her view of the world to the magazine and focused on taking the reader around the world through the pages.  “Before she came in magazines were all about pie and how to fit in… but Diana said ‘pie, who cares about pie when there’s Russia.’” Angelica Houston.  She provided adventure and fantasy. 

Not an easy woman to work for Diana was described as “threatening, and awesome.” She would disagree with this point, “I am easy to work with, I’m charming but I expect people to work as hard as I do.” She discovered people and started their careers.  She was particular and didn’t provide instructions but described a way of thinking and let them run with it.  Only relenting when the finished product matched her vision. “Even if you’re wearing close toes and boots your toe nails need to be perfect.  Maybe it would make you walk differently?” One model described her approach to details.  She was demanding but in being so encouraged greatness.

“Diana was fashion” and after years of working at Harpers Bazaar without advancement nor barely a raise she listened when Vogue offered her a position.  As editor at Vogue in the 1960’s she found another revolution like the 1920 she so loved.  “Youth went out to life instead of waiting for it to come to them.” Diana said of the time.  She embraced fashion coming off the streets of London, believing it was the way forward.  She brought Vogue from being a “sleepy magazine” to being the introduction of interesting people and new style. 

She saw the model not as a mannequin but as a personality and found models that others overlooked.  “Push their faults; make it an asset,” she said of the models features.  “If they have a gap in their teeth or a long neck, focus on that and make it great.” Diane Von Furstenberg said about Vreeland, “She saw things in people before they saw it for themselves.”  “She made it ok for women to be ambitious and outlandish.” Said Angelica Houston of Vreeland.  In supporting and celebrating art and pop culture she gathered interesting friends.  She was at Studio 54 and in Hollywood.  She celebrated the individual.

Diana Vreeland did not hold staff meetings and was not much for collaborative discussion.  Instead she sent memos.  She sent memos all day long about all kinds of things.  Her thoughts on the way things should be and ideas.  It was said, “She was the first blogger with her memos.”  Her voice was entertaining and style making but it was not collaborative.  While she didn’t judge people for their decisions she often did not entertain discussion on topics she did not find enjoyable.  Her husband got sick with cancer.  She said of this, “it was not something we talked about.  No one wants to talk about cancer.” Her coworkers described this as a challenge to help her because she pretended like nothing was wrong.  Her children also described this as one of her flaws, “When you never express any negatives you never get to the emotion.”  Her sons described her as having “no time for conventional things.”  When her husband died she immersed herself in her work. 

Diana’s visions were grand and so were the expenses of creating her vision for Vogue.  It was said that it seemed she was “sailing very close to the edge” in the way that she provided such extravagance.   When the expenses continued but the readership at Vogue reached a plateau it was Diana that paid for it with her job.  It was her magazine and when she was fired she commented, “They wanted to make a different magazine.” 

Not having time for conventional, no longer working in a position of influence changed her.  “She felt very conventional.”  She was not happy.  The confidence that she had exuded seemed to slip away. 

The Metropolitan Museum of Art hired her as a special consultant and again she was given the opportunity to awaken her spirit.  She also brought life to the sleepy world of the costume department.  She wanted to bring costumes out and to show them to the world.  She made large exhibits, she put the costumes on mannequins and set the scene like a story line she created in her head.  “Greater than a magazine it was alive.”  She painted the walls vivid colors, accompanied the exhibits with music, and pumped fragrance in through the vents.  “It was about ideas, and the vision of things.”  The opening nights became great social events, celebrity filled, but not necessarily accurate to history. “She represented the history as she remembered…. Fantasy eclipses the reality… She felt the pulse and promoted it.”  She was comfortable with this and called her representation not fact or fiction but “Faction.”  When facing criticism from the museum community about her lack of education she reminded them she was there for one reason, “to get people in the door.” Her spirit certainly brought patrons to the museum.  

“I believe in the dream.  I believe we only live through our dreams and imaginations.”  Diana dreamed, and lived in this way through decades of history.  She participated in history and was educated by the world.  Diana Vreeland an inspiration for loving life and living the adventure in your way. 

Notable Quotes:

About Diana:

“Upside down original”

“Created beauty and she created wealth.”

“The Empress Vreeland”

“Diana was fashion.”

“The will, the strength, the determination were her invention.”

“She didn’t pretend she was not inventing.”

From Diana:

On who has great style, “I think a race horse let out of the gate has a certain pizzazz.”

On going to work, “I was mad about working, make about taking the train, mad about it all.”

“The best thing out of the war was the bikini.”

“Since the Gondola nothing is as beautiful as the blue jean.”

“Every girl should have Geisha training.  You learn by exaggeration.”

“Style is a way of life.  It helps you get out of bed & down the stairs. Without it you’re nothing – And I’m not talking about clothes.”

“You’re not supposed to give people what they want.  You’re supposed to give them what they don’t know they want yet.”

“I love rouge- totally artificial.  We live an artificial life.”

“Water is Gods tranquilizer.  To be in it, to see it, to drink it, and to be a surfer—Ahh!”

“Does anyone read a picture book from the beginning? The eye has to travel.”

“I shall die very young.  Maybe at 70, 80, or 90 but I shall be very young.”

Layers for Warmth

Layers for Warmth

Did I hear that correctly?  Moving from wind chill “warning” to “watch?”  The difference: a “watch” is only -20 wind chill temperature instead of a -25% (or worse) wind chill temperature with a “warning?”  Is that supposed to be a good thing? 

Weathering such cold temperatures fashionably and also accounting for the variation in temperature that is sure to be encountered is a challenge.  While Mother Nature wages her blistery frigid winds, the corporate “man” proves his success by overcoming Mother Nature with an equal amount of artificial temperature fervor.   There are buildings with radiator heat, and the economically minded that keep the thermostat at 60 to keep your goose bumps reeling.  The ranges of temperatures that can be encountered are extreme.  

 

Leg warmers=my friend.

I recall a recent visit to my local supermarket.  I arrived, legwarmers over socks but under my pants.  I was wearing a sweater, a fleece jacket, two scarves, a coat and large mittens.  Upon arrival I instinctively unzipped my coat and removed my mittens.  I stood momentarily for the pharmacy and headed to the juice isle.  I comfortably navigated the frozen food section and perused the yogurt case.  By the time I reached the packaged goods I unzipped the fleece and started to get a bit uncomfortable.  There was comparison-shopping in the paper towel isle before a few trips between the “sale isle” and the sale products normal locations. I broke a light sweat (did I mention it is a newly expanded Super Kroger, I was probably up to a half mile of distance at this point).   Price checking in the organic isle was a little rushed, and by the time I was waiting in line for the deli counter I felt faint.  I ripped off the coat, the fleece, and slowly fanned myself with the scarf.  By checkout I had developed a chill and it took a good five minutes to suit up to brave the polar vortex that waited.  This kind of temperature change may have taken a less prepared individual down.

Me, Grandma, Grandpa

Layering the right fabric is the key to success in both hot and cold temperatures.  For appropriate preparation I channel the cold weather layering diva skills of my Grandma.  Grandma was a special lady that always seemed to find a draft.  She extolled the virtues of layering, and wool.  Actually, she extolled the virtues of layering wool in addition to both layering and wool individually.  She was an adorable lady, strong yet demure, hair curled, wool mock turtlenecks in every color, often also rocking a wool sweater vest, and classic wool slacks.  She defeated those cool winter breezes with layers of natural fiber. 

What you layer is as important as the layering.  Grandma looked for soft wool that wasn’t too scratchy to wear close to the skin.  This is because if you have to layer something like cotton underneath wool, moisture from your evaporating body heat can be trapped in the cotton and cool you down (Cotton is for warm weather to cool, wool is for cool weather to warm) regardless of your insulation.  Polyester can also be a good dry insulator, as can down, fur, and silk.  Not all of these work in the same way, and not all polyesters are created equal, but it’s good to have options.  There are many new concoctions that can also be helpful.  For further study on the science behind new fabric concoctions try this site: http://www.youbeauty.com/body-fitness/cold-weather-clothing .  The right natural fiber will not do you wrong.

Just a day in the winter vortex.

It is with such practical knowledge that I braved the chill with warmth in my heart.  I pulled a vivid mock turtleneck, handed down from Grandma, from my cedar chest to start the day.  I layered tights, socks, and knee-high boots.  I dawned a heat trapping skirt (kind of an oxymoron), and layered legwarmers on the distance between the boots and the skirt temporarily for the walk from the house to the car.  A fleece, a coat, 2 scarves, ear warmers, and mittens (along with the legwarmers, now my standard for going outdoors) work together to keep the winter wind at bay.  Who says you can’t incorporate a fun necklace?  Certainly not me, I added a black and white agate bauble to make the outfit.  From the house to the car, and layers peeled off to varying degrees to meet every artificial climate, I was set for the day.  Thanks Grandma.

Tim Gunn is the best!

Well it finally happened!  I had the opportunity to meet one of my favorite inspirational public figures Tim Gunn!  He is every thing I expected him to be and meeting him was totally a pleasure!

The first male speaker to take part in the “Smart Talk: Connected Conversations” speaker series, Tim Gunn regaled a diverse crowd with his experiences, insight, wit, and inspiration at the Arnoff Center for the Arts.  To an auditorium full of people Tim maintained the genuine and personal communication style that has placed him in the hearts of so many.

Tim described stories of the excitement and challenges of his career path. Knowing he was influential at Parson’s school of design it was interesting to hear of the polarizing nature of the reinvention and the rarely heard challenging side of this work. It was an opportunity to hear about his friendships with a number of notable fashion figures in a way that was humorous and endearing.  He provided the back ground for Project runway, and colorful behind the scenes instances.  He also spoke a bit about his upcoming show “The Revolution” (http://abc.go.com/shows/the-revolution) starting Monday on ABC at 2pm EST.   Just as Project Runway was the first style show of its kind and filled a void in evening television for the fashion focused, “The Revolution” is a collaboration of inspirational figures with a common goal to bring out the best in people that, in my mind, is poised to fill the inspirational void left on daytime with Oprah’s retirement.

While Tim is most noted for his knowledge on style, his consistent message during this engagement, and woven through his books and other work, is a broader focus on helping people realize their full potential.  This evening he described his passion for making style work for women above a size 12, and making good fashion accessible to all.  He highlighted his focus on embracing what works for each person.  He also described the growing need for manners and mutual respect; a topic that is a focus in Gunn’s Golden Rule (expect a future stylish book report on this one in the future).  This evening Tim continued to prove he is not just stylish but full of relatable good taste for all areas of life.

With so many experiences to speak of it would be easy for a person to develop a cavalier attitude but not Tim.  Consistently he expressed gratitude for the opportunities of his life, the people he has worked with over the years, and the student relationships he valued through his career as an educator.  The unintentional take away lesson from these stories was the benefit of being honest, authentic, and the best person you can be.  Tim has achieved success while continuing to be honest, authentic, and truthful.  Tim not only demonstrates this but also encourages each person that it is possible to carve a path to success and maintain your best self.

The speaking engagement concluded with a question and answer session with Amy Tobin and an impromptu meet-and-greet session as fans approached the stage and formed a line to shake hands with Tim.  Being absolutely awesome Tim crouched on the stage until it became evident crouching may be uncomfortable for the line that was forming.  He hoped down off the stage, still maintaining his pristine suit and composure, continued greeting, and then there was an announcement the meet and greet would be moved to the lobby.  Not sure what to do we all shuffled around until a location was designated and a line quickly formed.  Tim took time to chat with each group, no time limit or process specified he was open and calm. 

When it was our turn for a visit I continued to be totally impressed.  He made sure to shake each of our hands while looking each person directly in the eye with a personal moment, as if the line did not exist.  My friend, God love her, pointed out that I was a jewelry designer and had auditioned for project accessory to which Tim responded, “You know what about that show?  You are a jewelry designer, how are you supposed to make a shoe?”  Yes!  Didn’t make sense to any of us at the audition either!  He is totally logical as well as gracious!  I think I stammered something about learning to make a shoe and trying again before we took a picture and I reiterated, “You are the best.  Just the best,” about three times.  It’s the truth.  Tim Gunn is the best. 

"What a good looking family!" -Tim Gunn thinking we may have all been related.

Crushing on Dr Zahi Hawass

Maybe it was the gentle breeze on a beautiful night, or the suit with salt and pepper hair (ok more salt than pepper), or perhaps it was the shared love of adventure and excitement for the newly achieved democracy in Egypt.  Whatever it was, my crush for Dr Zahi Hawass continues with a vengeance.  I was left swooning and near speechless as he dramatically signed my new copy of the beautiful book depicting the Tombs of Thebes.  Sunday night at the Arnoff center the minister of state for Antiquities in Egypt spoke about his life’s passion, experiences, the current situation in Egypt, and the highly acclaimed Cleopatra exhibit now at the Cincinnati Museum Center.    

Dr Zahi Hawass (http://www.drhawass.com/) found archeology was his passion at a young age.  He spoke of his feeling of responsibility to discover, preserve and share the history of his country with the people of Egypt and the world.  While he was not the first to attempt this, he is the first to do it with showmanship, and an energy that made him the most recognizable person from his country.  He has embraced media from around the world to bring us history through an easily accessible source, written beautiful books to provide details to his accounts, and has inspired future generations of archeologists with his clothing line, hands on approach to discoveries, and dedication to children’s education.  For over forty years he has crawled through passage ways in the pyramids, excavated the deserts of Egypt, and through his pursuits surpassed Indiana Jones as the most interesting archeologist.  Pursuing his passion has taken Dr Zahi Hawass around the world and into the hearts of adventurers everywhere.   

His message was clear: Egypt with its rich history, current achievements, and focus on future possibilities is worth a visit.  Hearing of the newly achieved democracy several months ago I was moved to tears, and hearing of Dr. Hawass working with the military and people of Egypt to protect and continue preservation of the countries antiquities was truly inspiring.  Hearing him give the all clear to tourists, and realizing how supporting the traveling exhibits and traveling to the country itself helps to build this budding democracy was also motivating.  Knowing possibly more about the rich history of Egypt than anyone else Dr Hawass is proud of his country and has a strong vision for a democratic Egypt providing an impressive future.  He mentioned that many people tell him they come to Egypt because of him.  Hearing his passion and assurances of safety despite transition I also want to visit the valley of the kings and the harbor of Alexandria and to see the developments in a country of revolution.

I also cannot wait to see the Cleopatra exhibit right here in Cincinnati!  The Cincinnati Museum Center is second to none in the exhibits, professionalism, and presentation of history.  This exhibit continues that tradition.  We are one of only five cities in the US that will have the opportunity to view these items in person.  You may remember viewing their discovery depicted on the “Chasing Mummies” tv show.  After months of preparation this exhibit is now providing new insight into a mysterious and powerful figure in Egypt’s history.  I find myself looking for some glimpse of the face of Cleopatra.  Who was the queen that seduced the leaders of empires and ruthlessly fought to rule one herself?  While her image is still unknown this exhibit helps to give flesh to a woman so known for hers.  Available for viewing until early September Cleopatra is a must!  (http://www.cincymuseum.org/cleopatra/)

Cincinnati Fashion Week 2011 Recap

Last week was the second annual Cincinnati Fashion Week!  If you didn’t know Cincinnati has a fashion week, now you know!  Get excited for next year’s events now because the 2010 lineup was a blast, 2011 was a combination of unexpected elements that improved upon itself by the minute, and I can only imagine what fantastic things 2012 will bring.  This was an exciting week and even more exciting is the continued focus on Cincinnati as a destination for talent and entertainment.

I must preface my recap with a disclaimer.  Unfortunately this year I did not make it to all the events.  I missed Monday, Thursday, Friday and Sunday (I know that is half the week).  Even more unfortunate I am told Monday and Thursday were total parties.  However, on the fortunate side I had the pleasure of meeting the fabulous young blogger team of “The Fagazine” fashion blog (www.thefagazine.com) early in the week so I never felt out of the loop.  

Heading out to Tuesday’s event I had the internal monologue, “do I bring my big camera? It doesn’t really go with my outfit and will I lose the moment trying to capture each piece of it on film? But will I be satisfied with my elf quick pics?”  I opted to leave the large camera at home and was regretting it when I met my new friends Zach Shumate editor-in-chief of The Fagazine, Ryan Seminara contributor and photographer of The Fagazine, and Drew Reidenbach freelance publicist at The House of Orange.  Not only are these guys incredibly fun but we also have similar taste in fashion.  When I “oohed” at a design or pattern that caught my eye I found Zach “aahing” and Ryan snapping amazing photos simultaneously at the same things!  Needless to say I did not bring the camera or give it a second thought the rest of the week.  To check out the detailed designer pics, play-by-play of the pre, post, and everyday’s fashion week events I highly recommend reviewing all of the posts from May 9 to 14 on www.thefagazine.com.

And now for my personal commentary:

Tuesday May 10, 2011 

Men's Fashion Refinery

What do beautiful men, dapper fashion, orange caution spray paint, beer fermentation, and personal brand management all have in common?  Unexpectedly these were all elements of Tuesday’s “Men’s Fashion Refinery.”  Held at the future location of the Christian Morelein brewery in Over-the-Rhine.  This event combined many elements I find interesting and warmed my industrial chic heart.

[For anyone unfamiliar, Over-the-Rhine is an area of Cincinnati with a rich history.  Settled by German immigrants in the early 1800s, in its prime it was referred to as the “Paris” of the US with high levels of beer production and consumption, entertainment, and success.  Few know this is where Annie Oakley first ran into Buffalo Bill and auditioned for his crew, and this was the first place to introduce Burlesque to the US.  Cincinnati (Over-the-Rhine most severely) was devastated by Prohibition.  Recent and ongoing revitalization of the area has been successful in breathing new life to these streets, successfully highlighting the beautiful architectural details and introducing a new generation to the rich history.  Which brings me back to Men’s Fashion Refinery.]

I dressed casual for Tuesday but I also dressed for single men.  Jeans, flowing tank belted because men like to see a figure.  I opted for funky fresh accessories with a large white FoundryM garden chain and white watch.  For punch of color I went all out with my DeGroot hand bag (yeah for DeGroot, a local accessories designer) and personalized Tahari pumps spray-painted orange.  The OSHA orange spray paint caught a lot of attention and coordinated with the décor’!

I parked on a sidewalk, walked past a local porch party, and entered a visually stimulating warehouse full of Range Rovers, BMW, and Jaguars’ on display and a sign that stated my entrance constitutes release of my image for the filming of a mysterious production.  I grabbed a new Christian Moerlein summer brew, scanned the crowd of ridiculously dapper looking men of all ages, and perused the tables of local male fashions.

Men’s’ fashion is an area of fashion to which I have only recently been introduced.  In my limited experience it seems the success is in the details.  It is exciting to see Cincinnati has a great representation of beautiful modern and youthful menswear. 

Artfully Disheveled designer Christopher Berre focuses on high quality and interesting patterns with his collection of ties and pocket squares.  As a constitutional amendment supporter and adventurous type I am particularly fond of “the six shooter” tie pattern.  Not to mention I now have a crush on the voice of the “the network” blog on www.artfullydisheveled.com Not sure who is posting but I am following.  Products are available for purchase locally at 45/46 XY Inspired on Erie Ave and Pomegranate & Lime on Wooster Pike in Cincinnati; on the Artfully Disheveled website; New York, and Chicago.  Check out www.artfullydisheveled.com for more information.

Corwyn Apparel designer Corwyn Thomas also focuses on high quality and interesting patterns with much success but what really grabbed my attention was the brand new bow tie that is not yet available for viewing on www.corwynapparel.com (get excited as you are now privy to a new trend) they called it something specific and for the life of me I cannot remember what they called it (!?!Blog fail?!?), “The block” perhaps?  Let me describe it: bow tie in solid colors from pastel purple to electric orange all with white trim tied fat and slightly undone.  Love it!  You will have to visit the showroom to see these in person which may sound like a chore but after talking to Michael Warner the regional sales manager about the private fittings and events they host I am not only sold on the “block?” bowties but also on the experience.  Join the mailing list or contact Corwyn apparel directly by visiting www.corwynapparel.com

Jonathan Mezibov was the third menswear designer featured at Tuesday’s event.  He also provided a stunningly handsome collection in Saturday’s Fashion Finale runway show.  Beautifully tailored slim cut shirts with modern proportions in interesting patterns are the focus.  I was especially partial to the spread collar button down with a bib front in deep purple.  It had a pleating detail similar to a tuxedo.  Interesting enough to be noticed in a crowd but casual enough to be comfortable out on a Saturday night.  The purple is not yet shown but look forward to shopping for it on www.jonathanmezivbov.com

Moving from the expose` of all things male to a large back seating area for an interesting presentation on personal branding.  Key take-away:  be mindful of fit, location where wearing something, personal ascetic and differentiators, and attention to the details.  Elbow blowouts no more gentleman.  It may just blow your dapper man brand.

At any moment a model like photographer may be in a subbasement in Cincinnati looking stylish.

After the presentation the brewery tour was an interesting end to my evening.  As this is the “future” location of Christian Moerlein, the brewery that was toured was the 1880 brewery that originally inhabited the location.  This was great.  Similar to the “underground tour” described in one of my earlier blog posts, we started in the clean and refurbished warehouse main setting, traveled down narrow stairs, a hole in the floor accented with the previously mentioned orange spray paint, and into dank, mud dug tunnels to the malting subbasements that produced the millions of gallons of pre-prohibition brew.  I loved the relaxed tour guide, beer in hand and full of knowledge, and was especially amused by women in four inch heels climbing and trekking where heels have never been before.    

Tuesday was an evening of adventure.

Wednesday May 11, 2011

Tea with Mary

You know I love a day at the museum.  So it is no surprise I loved Wednesday’s Tea with Mary Baskett.  I arrived at the Cincinnati Art Museum too late for tea but in time for Mary and Cynthia Amneus, the associate curator of clothing and textiles at the Cincinnati Art Museum, to provide a video tour of Mary’s extensive collection of Yojhi Yamamoto, Rei Kawakubo (Comme de Garcons) and Issey Miyake.  Collecting since the 1970s Mary is dedicated to these designers.  Hearing her descriptions you can feel her appreciation and fearless dedication to wearing their creations.  And I love that she totally makes it all work. 

I loved hearing Mary’s stories of how and where she acquired key pieces.  Seeing the passion Mary clearly has for the unconventional forms, especially for the designs of Rei Kowakubo, was really inspiring.  I want to start a collection of something specific and stay dedicated to being stylish and rocking it for decades!  I was really struck by the soft spoken description of Japanese fashion appreciation of “the beauty in being undone.” 

After hearing this phrase I couldn’t help but get a little ticked at myself for not being so fearless and not celebrating the beauty in being undone.   I had intended to make a fantastic orange skirt out of fabric repurposed from the table decorations at my friend’s baby shower.  It was a great punching color but with limited construction skills and no pattern I abandoned it as part of my outfit because it ended up a little lopsided, kind of incomplete looking, and a little unflattering with little fit.  As I looked at Mary in her beautiful green skirt with a thick roll at the waist looking totally chic all I could think about was how I needed to be more fearless.  Her is what I wore and here is me celebrating my homemade creation since I didn’t on Wednesday.

 

What a beautiful place for a reception on the stairs of the art museum.  Great place for stiff drinks, delicious appetizers, a dj, and mingling.  I was excited to have an opportunity to express my love of the clothing and textile exhibits directly to Ms Amneus and I am now considering becoming a friend of the art museum.  Did you know if you are a friend of the art museum you are able to actually make an appointment for personal art consultations with a curator?!?  I don’t have any art to consult about but just knowing that is an option totally makes me want to join!

What a beautiful place for a fashion show as well.  Models, hair by Mitchells, dressed by Fetish boutique, and makeup like little porcelain dolls with pursed lips, paraded down one side of the stair case, into the crowd, and then up the other.  Fantastic showing!  (Check out http://www.thefagazine.com/2011/05/cincinnati-fashion-week-day-3.html for great shots of the show).  With so many interesting and wearable options on display it was hard to pick a favorite but the hot pink zippered shoe-booties paired with a structured grey dress may have pulled into the lead for me.  Well that or the all black leggings, black top, and red pumps accented with a black fedora painted with a woman’s face that Mary Baskett’s friend, equally as chic as Mary, was wearing.  Wednesday was possibly the coolest tea in history.

Saturday May 14, 2011

Fashion Finale

Enter through the side door, pass the docked boats, take the open walled elevator with the suited elevator operator, and emerge into the stark white walls and artfully columned industrial chic space that is “The Edge!”  All white chairs and a white runway snaking through the space ensure a perfect backdrop for the designer creations.  Seating section wrist bands color coordinated with vitamin waters placed on chairs were a subtle way of directing attendees to the appropriate section and the runway route was a brilliant way of ensuring that everyone was sitting first or second row. 

Outfit watching while waiting for the show to start was also incredibly entertaining.  Everyone did it up demonstrating personal style to the max.  Of course, I made my outfit, whip stitching an uneven hem 20minutes before leaving, and emboldened by the mantra “beauty in being undone” I wore it safety pin backing up my hook-and-eye closure and all.   The idea was to let the beauty of the intense purple fabric envelop me.  Creating a new shape with the fabric but still focusing on the fit needed for a curvy figure by letting it show through.  Lets be honest, I really didn’t need much more than that fabric to look fabulous.  I think the effect came across, imperfections and all.  Wasn’t the most polished look but I got some compliments and, most importantly, I loved it. 

The show:

Lindsey Lusignolo artfully combines tulle, Swarovski crystals, feathers, architectural details and great attention to fit to create drama and just a generally spectacular collection.  Focusing on custom bridal and evening wear pieces she offers the option of a couture experience through direct contact and collaboration http://www.lindseylusignolo.com/ and, coming soon, a showroom on Main street in Cincinnati. Had I seen some of the designs demonstrated in the runway show ahead of time I probably would have contacted Lindsey Lusignolo for a dress to the event in lieu of my creation, (although as a local favorite I wouldn’t have been the only one attending wearing a Lindsey.  Probably still would have been ok with that…). 

Personal favorites from Lindsay’s collection included the cream floor length satin gown with plunging back and silver Swarovski crystal and tulle leaf detailing; black sweet heart neckline with sculpted bodice and feathered explosion cocktail length number; and the maroon with electric violet sheen taffeta and violet tulle accent cocktail length dress.  Oh and the finale bridal number cream with a grey tulle explosion with grey origami like bustle, I can’t even put to words you are going to need to see for yourself (http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-lindsay.html#more)…I could go on all day but the pictures say it all. 

I mentioned Jonathan Mezibov when talking about Tuesday  (see above) but while talking about the runway show let me reference more details by providing another link http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale.html

Laura Dawson is another designer with local ties.  I loved what she put down the runway and I love that she also has an online store http://www.lauradawson.com/ She is currently working out of London with distribution around the globe but for Cincinnati fashionistas this online access is key.  Her playful designs are full of interesting details and brilliant colors.  Personal favorite for me was the pink “scuba skirt” and fitted crochet sweater.  I loved the pattern of the sweater, they way she styled it with nothing underneath, and it looked super soft.  She also featured many beautifully fit and detailed fall trenches that for a split second made me excited for the first falling leaves before even reaching the summer months (that NEVER happens) http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-laura.html for the full playful play-by-play.

If you love femininity with a bit of playfulness you are going to love Amy Kirchen http://www.amykirchen.com/ Her website does not give you the full extent of awesomeness that she showcased at the 2011 Cincinnati Fashion Week show.  She also has a boutique on Main Street in Milford Ohio and I am planning a trip as we speak to shop for spring.   I want the white large pocketed and belted romper and black jumpsuit.  The jumpsuits, the rompers, the patterns, the a-line skirts, and tailored office looks with blouson top blend references of the 1950s’, 60s’, and 70s’ but their modern tailoring and relaxed sex appeal say, “I’m not going to be your house wife or secretary unless it suits me.” http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-amy.html

Amare Sinh is edgy and elegant. http://www.amaresinh.com/ blending cultural influences from around the globe the designs are a unique blend of colors and textures.  I love a texture fashion play.  On the website the gold blazer is something I could see heightened to classic status in my closet.  At the show, I was impressed with the designer’s use of full faux fur pelts in a way that still highlighted the lithe figures of the models.

Cala Ossidiana swimwear collection http://www.calaossidiana.com/ was understated with its focus on solid colors and classic lines but with mesh insets, knot backs, and seductive extra long ties these suits were anything but basic. http://www.thefagazine.com/2011/05/cincinnati-fashion-week-cala-ossidiana.html If you like prints you are out of luck but if you like multiple options for how to move the bikini strings to avoid tan lines, and not seeing other people wearing the same suit, you are going to want to check the Cala Ossidiana options.

Amanda Valentine http://www.amandavalentine.com/ hand makes each piece.  Where Amare Sinh was a texture play I would describe Amanda Valentine as a pattern play as she artfully combines interesting patterns in unexpected ways.  I found her sliced dresses to be visually interesting and I really loved the statement jewelry pieces that adorned many of the looks.  She has a link from her website to her etsy store which I am hoping to find freshly stocked in short order.

Arbitrage made its second Cincinnati Fashion week appearance. http://www.arbitrage.com/ You may find the Arbitrage man familiar from Cincinnati Fashion week 2010 or you may find it familiar from some of the many Hollywood hunks that dawn the duds on the red carpet.  The interesting details are really what make this line.  Last year seemingly basic shirts were lined in poker themed patterns and this year, while patterns still played a role in the collection they were toned down and subtle by comparison.  My favorite part about the Arbitrage 2011 runway showing was the interesting and cool hooded shirt.  I could see it paired with a 22inch funky fresh garden chain from Foundry M on a casual weekend!   Favorite item on the Arbitrage website: “movember” Manchu mustache shaped cufflinks!

Melissa Tabor http://melissatabor.com/ does dresses well.  Exposed zippers, check; understated colors and interesting textures, check; fit and structural details, check and check.  I found each of her pieces to be incredibly wearable.  While she represented options for every occasion (love the formal cream low back number) I found the structured top day dresses and interesting suiting to be the strong point of the collection.  They could easily be styled to go from day to evening and provide comfort for a woman on the go in places often overlooked.  Pockets for a day dress are borderline essentials anymore in a skirt full enough to handle them and her zipper ties allowing for self closure (or easy opening) were unexpected, looked chic, and are totally convenient.

Avni Trivedi is all about fabric. http://www.avnitrivedi.com/ Focusing on sustainable fabrics, sourced from traditional artisanal production means across the globe blended old world culture with new areas of global importance.  Many of the silhouette proportions were unusual but allowed for the fabric to remain the focus of the design.  Personal favorites were the white shirt with floral embroidered hem, the use of scarfing, and the finale dress that was a beautiful combination of fabrics and demonstration of draping.  Also, while I do not think I could ever wear a horizontal striped pant I still remain strangely enamored with them… check out the full details at http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-avni.html   

The After Party

After three fantastic hours of fashion awesomeness it was on to the after party at the Weston Art Gallery.  Have you been to the Weston Art Gallery?  Admittedly this was my overdue first trip.   My intention was to tour the exhibit before diving completely into the “Exhibitionism” themed party but we decided to get a cocktail first… A return visit to the gallery is in short order as there was no turning back after making the trip to get drinks.  The cocktails were located through the gallery, past the participation art (the half naked man you could paint at your whim), past the wall of large round mirrors, past the woman in the bathtub full of feathers, past the floor to ceiling delicate white fringe, past the dance floor, the deejay, the face painting artist, spoofs of recognizable art in the buff, and past countless patrons in all levels dismissing their inhibitions.  Everywhere you looked there was something interesting to look, touch, or taste.  The x mango flavored vodka with soda and a splash of OJ was reminiscent of the vitamin water I had earlier and just as refreshing.  After a few of these, a little dancing, and a bit of saucy “Framester” photo booth pictures with new friends, and the night was over before I made it back to check out the art.  This party was refreshing art in itself. 

…Ok the evening may have ended a little later after chips, guacamole, and after several more hours of dancing but that is going to be for another blog.  I am fabulously exhausted!