Diana, a celebration

DIANA, a celebration is currently on display at the Cincinnati Museum Center through August 17^th 2014.  This sparkling exhibit has travelled the globe to allow Diana’s admirers an up close glimpse of her life in all its facets.  Cincinnati is the final stop on this worldwide tour.  At the tour’s conclusion all of its contents will be returned to William and Harry.  The display provides a well-balanced look at the life and work of Diana Spencer princess of whales. 

You often hear of Diana’s beauty, compassion, fragility, and her ability to relate to everyone.  All of these aspects are reiterated in the exhibit.  For me, the impressive takeaway however was about versatility.  It takes a remarkable woman to be able to balance an outward softness of a mother, strength of a humanitarian and political figure, sparkle of a crowd favorite, and the sophistication of a princess.  She not only achieves this balance, but also was able to accomplish it in a way that seems entirely genuine.  To me it is that versatility that makes Diana a role model and icon.

The exhibit starts by exploring the lineage that brought Diana to her royal life. “The Spencer women” gives a view of her family genealogy and the legacy Diana chose to continue with her work.  Coming from a long line of strong women, Diana’s family is woven through history. A number of familiar names known for their socialite abilities to impress through entertainment, and those that impressed with their philanthropy precede Diana in her family tree.  Diana is remembered philanthropically with her ancestors.

Georgiana Cavendish may be familiar as the Duchess of Devonshire.  She was celebrated for her beauty, style, political activism, support of women’s suffrage, and allegedly notorious adventures.  She was immortalized in paintings by Thomas Gainsborough, Sir Joshua Reynolds, and later by Hollywood with the movie “the Duchess.”  She was also born Georgiana Spencer and contributed not only to the impressive Spencer public expectation but also to the family heirloom jewelry collection.  Georgiana is just one notable name in a full family tree. 

Riviere necklace
picture from
https://princessdianabookboutique.wordpress.com/2008/11/

Seeing personal heirlooms passed through generations is a treat.  ‘The Spencer women” gives insight into Diana’s family as well as presents some of the family jewels in sparkling splendor.  Here too is a note to versatility.  The beauty of Diana’s stunning crown is a combination of two previously crafted jewelry pieces.  Apparently, this combination and reworking is a common practice in the royal jewelry vault.  One item, a Riviere necklace originally belonging to Georgiana Spencer, is constructed so that every diamond, all hanging diamond pendants, and several large pearl drops are all detachable.  One portion of the necklace can be worn as a bracelet.  Reworking, reinventing, and repeating great things in new ways is not a new trend but one that Diana carries on with grace.

The next portion of the exhibit is dedicated to presenting an intimate view of Diana’s childhood and formative years.  It includes home movies, mementoes’, personal journals, report cards, animal figurine collections, dance shoes, photos, and many other personal items.  These small details are touching.  It is an unusual view of Diana as a girl and a lady.  Diana’s softness comes through in the bubbly handwriting, and the chipped animal statuettes, in the details. 

Diana is relatable as a girl and young woman, and yet you see all of the extra attention that goes into raising a Lady.  The details of her childhood could be similar to many.  Then as she grows older she goes to finishing school.  It is this point in the exhibit where you start to see the differences in upbringing.  With bound books to track seating charts and details of hosted social events, to programs scrawled with what was worn and who was met in the margins, every Lady must take care of the details.  Training to be a nanny or a kindergarten teacher in school, and at the same time training for a life more formal.

Following Diana’s upbringing is a review of the royal courtship and marriage.  Looking smitten in tartan and the 1980s, this section focuses on the official timeline and keeps things positive.  A room of pictures and letters is followed by Diana’s famous wedding dress.  Puffy sleeves, special lace, a family heirloom tiara, and one very impressive train fill the room.  The details and handwork exhibited in the famous dress and shoes are impressive.  The royal wedding plays and it is a reminder of a romantic time. 

Princess Diana wearing her favorite: pink
meeting with Sri Chinmoy,
Kensington Palace, May 21st 1997

Next is a room lined with many of the dresses famous in images of Diana.  This could also double as a review of the fashion of the 1980s and early 1990s as the styles of the time are distinctly present.  Each ensemble is accompanied by a description of how it was chosen, how it was worn, and how accessories were added to wear the outfit again in a fresh way.  Some ensembles are accompanied by descriptions of how Diana chose them or felt while wearing them.  The evolution of Diana is illustrated in her fashion.

A room dedicated to the causes she found so important is inspiring.  Through videos, writings and itineraries you see the dedication and compassion for the suffering.  You see the Princess bring light to challenging issues and to the faces of those she met and consoled.  Diana is described as shy but she overcame this challenge and shined in some of the most difficult situations.  Diana finds her voice and passion in embracing those often cast off. 

The exhibit transitions to the tragic conclusion of her life.  A floor to ceiling case is stacked with books of letters to Diana and her family.  Chills ensue at the illustration of how many lives she touched.  The final public statement from Diana’s brother papers a wall.  Rose petals carpet the floor, and a video of her funeral procession plays on screen as “Good bye English Rose” pays tribute musically over the scene.  Diana’s life is cut short, but her memory lives on.

Concluding the exhibit is a call to action.  Additional information about Diana’s causes lay in wait for action  to be carried on by inspired exhibitioners. 

The Cincinnati Museum Center is also featuring a companion exhibit Daughters of the Queen City.  This exhibit brings light to the local history of women that have dedicated their lives to philanthropy.  Photos, local periodicals, brief and lively descriptions of contributions, and the occasional wedding dress provide a view of all aspects of these dedicated women’s’ lives.  The companion exhibit also concludes with an opportunity to participate with additional information on how to be involved and an artistic station to encourage young involvement.

http://www.cincymuseum.org/exhibits/diana-a-celebration

http://www.dianaexhibition.com/dianaexhibition

One Night, One Craft at the Cincinnati Contemporary Art Center

One Night, One Craft at the Cincinnati Contemporary Art Center

Tonight was yet another fantastic evening at the Contemporary Art Center!  If you have not had an opportunity to check it out, let me introduce you to “One night, one craft!”  This genius summer series each Monday night at the Contemporary Art Center provides a two hour opportunity to learn a new craft from a skilled artist with an adult beverage in hand surrounded by other creative artists in training, and no judgement.  Typical of the CAC, each evening is unique and a great time.  This is not your grandma’s craft night.    

To recap: 

June 6: The kickoff was an embroidery tutorial and demonstration by Cincinnati’s own Pam Kravetz http://pamkravetz.com/Site/Welcome.html 

You may remember Pam’s exhibit at the CAC, “Beauty Queen, Superhero, Peanut,” the larger than life fabric art interactive marionette figures on the sixth floor.  This creative queen (Pam) held court on the sixth floor as well keeping the session lively with interesting details about how she got her start and her current inspirations.  She was energetic in tutu and leg brace, and had no qualms about sharing details on how she created her signature beautiful details, vibrant colors, and visible rustic stitching.  Pam is as exuberant as her art and it was an exciting start to the series.

My creation.  This guy is still a work in progress.  He is hungry. 

He is going to be eating a cupcake.  This cupcake is Pam's creation

13th: Intro to wet and needle felting with The Shiny Brights.

An Australian rock band?  No. The Cincinnati Shiny Brights are an eclectic group with similar interests that periodically gather to socialize while they create crafts.  If you thought, “felt” was a synthetic square you cut up and glued in elementary school, prepare to be shocked because wool felting is an age old craft that far precedes polyester.  Wool felt is a non-woven fabric formed when sheep’s wool or animal fur is subjected to heat, moisture and pressure or agitation.  The shiny bright crew introduced two methods of felting, needle felting that is created by stabbing different colored pieces of felt into another, and wet felting, the process of dipping loose wool into soap water and rolling it into beads to use in many other crafts.  New to many of the attendees this was one shiny adventure with beautiful ends.

My felt ball and bead bracelet.  Also still a work in progress.

June 20th: Kalamkari fabric painting with Radha Chandrashekaran www.radartist.com

In the spirit of full disclosure I regrettably had food poisoning and missed this event.  But I learned from my new friends that this is an ancient technique of painting using a hand made brush made by wrapping fabric around a wooden skewer.  By holding the brush tip with the fingers and applying different amounts of pressure varying line thicknesses can be achieved.  It was apparently messy but very fun.  Totally disappointed I cannot give you more details.

June 27th: Book making with Annie Stephens www.anniestephens.com

Sewing together pages of paper, and two cardboard covers may sound simple but producing a decorative notebook that looks good and stays together is challenging.  The knotting method was calmly introduced by the energetic and multi talented Annie, and she patiently ran from table to table to assist with different skill levels of crafters throughout the evening.  While it was a challenging start there was also a great sense of accomplishment when leaving with a completed gift-able notebook. 

My first hand bound journal.  Still intact.  You may be receiving one of these as a future gift if I can get better at it.

July 11th: Sumi-e ink painting & yoga poses with Anne Ducharme 

This week was a little different from previous evenings with a focus on meditation through art and yoga.  The evening began with Anne guiding the group in meditation.  She taught a few yoga balancing methods and poses as a great way to clear the mind for inspiration.  Sumi-e ink painting focuses on the tools and on the process rather than the finished product.  There are many brush and ink washing techniques that can produce different images.  Letting go of a predetermined image provided surprising and interesting results.  The variety of crafter images varied from very dainty to broad strokes, very literal images and more abstract pictures.  It was as if each state of mind depicted differently on paper.  Anne was a calm encouraging influence and I left with a great start to my Sumi-e painting beginnings.

A sampling of my creative process.  The fish on the bottom left are Anne's work.

My three favorite works.  My meditative state is less calm, more movement.

Admittedly each week I do not leave feeling a master of each craft but I always leave excited by a new method of artistic expression to explore.  With a variety of materials to inspire creative minds, a relaxed atmosphere, and a friendly and enthusiastic crowd of attendees I continue to be impressed by the art created in this two hour period each Monday night at the Contemporary Art Center.

Upcoming opportunities to craft at the CAC:

July 18: Seed bombs with VisuaLingual

July 25: Woodworking and image transfer with Joel Armor and Joe Civitello

August 1: Mud cloth with Judy Dominic

August 8: Personalized Magnets with Cincy Craft Cartel

August 15: Henna tattoos with Sneha Nirody

August 22: Paper-craft with Jessica Wolf

Each week One Night, One Craft goes from 6 to 8pm and participation in some crafts may require paying a $5 materials fee.  Admission to the CAC on Monday evenings is free courtesy of Macy's.  Look forward to seeing you at the Contemporary Art Center!

On exhibit at the Contemporary Arts Center:

Currently the CAC is full with three ongoing exhibits to check out.  All three are impressive.

Maidens of the Cosmic Body Running: Majr Gazr

I continue to return each Monday after crafting to experience “Maidens of the Cosmic Body Running: Majr Gazr.”  It is a collective exhibit of work by Denise Burge, Lisa Sinders, and Jenny Ustick.  It incorporates expertly crafted hand made textiles, electronic and colorful video imagery, and trance like tones and repetitive relaxing whispers.  It is designed to be a multi sensory, participative exhibit dedicated to relaxing the participant.    

The relaxing effects of the combination of these influences is incredible.  All the elements of the exhibit purpose to “explore notions of utopia tied to feminism, nature, and spirituality.” Further description indicates the integration of the elements and craft, “Reference the Maidens’ notion of a female community; while the use of color, symbolism and textiles evoke the myriad of utopian communities that have emerged throughout the last century.”  Honestly, I was a little leery of that description initially.  I also was not sure how I felt about the community slippers.  My first visit, however, I had on incredibly uncomfortable heels and so while I was somewhat uncertain I quickly donned the slippers and grabbed a “map” illustrating the ways to participate in each aspect of the exhibit.  This first visit it was close to the museum closing and I was alone as I listened, watched, and became wrapped in the experience.  My stress melting away with the tones, images, and tactile influence.

Each time I visit I notice an additional element of the exhibit I did not in the past.  I later found the slippers are to protect the textiles as much as they are to add to the sensory experience.  Wearing shoes and walking on the hand made items would surely cause wear that would detract from the experience.  I find myself looking forward to visiting each week and am a little concerned how I am going to find the same stress melting effect once this exhibit has concluded.  

Hurry to experience this exhibit soon as it is only running through July 17th!

Matthew Monahan

The sculptures by Matthew Monahan are amazing to see.  His use of repurposed materials and the way he wields them into precise human form is totally impressive.  It seems his works are alive, eyes sparkling, muscles flexed, expressions expressive.  

The CAC website description so artfully describes this best, “Monahan’s sculptures seem to hover in a state of fleeting existence, projecting the illusion that the forces of nature could turn them back into unrecognizable rubble at any moment. His works succeed in engaging the viewer in a dialogue between contemporary and ancient; alien and disparate parts. His fragmented figures—with their active postures and facial expressions—convey the struggles of coming into existence in the present moment while carrying a sense of a past long gone.”  True.  Matthew Monahan’s work is worth a visit sometime before the exhibit conclusion on October 30th.  

Keith Haring: 1978-1982

This exhibit provides an exploration of Keith Haring’s work from his youth and early work through his height of popularity and some of his final works.  His efforts to make art accessible to all, and his broad quick intersecting lines helped to make him one of the “most iconic, influential and popular artists in the world.”  

This exhibit gives great insight into his artistic development, internal struggle, and immersion in the New York City Scene with rarely shown early work and some of his most notable images.  Personally I remember Keith Haring as I was first introduced to his work in first grade.  At the time his brightly colored, distinct human forms were being painted on city buildings and sidewalks in New York.  He must have been featured on Reading rainbow or something because I vividly remember sitting on the floor of Ms Ditkin’s (my first grade teacher) floor attempting to braid another girls hair and pay attention at the same time.  I remember liking the color usage the best. 

My early introduction to Keith Haring seems to have been quite flat with only an introduction to his work and a brief glazing mention of his death to AIDS.  What I did not remember being introduced to about Keith Haring in the calm afternoon of my elementary school art hour were his sexual influences, incorporated phallic symbols, and overwhelming drawings.  I was surprised to see some of his later work, sometimes violent red images of aliens and death.  It is funny how a purposely narrow sight, for a child or otherwise, can change the artistic impression of the patron.  Seeing this complete collection first hand with its large scale and detail is quite impactful.  This exhibit allows you to feel the challenges Keith felt in his shortened life, to understand his journey further, and it allows you to experience the impact of his broad brushstrokes and interconnected lines and elements.   

Cincinnati Fashion Week 2011 Recap

Last week was the second annual Cincinnati Fashion Week!  If you didn’t know Cincinnati has a fashion week, now you know!  Get excited for next year’s events now because the 2010 lineup was a blast, 2011 was a combination of unexpected elements that improved upon itself by the minute, and I can only imagine what fantastic things 2012 will bring.  This was an exciting week and even more exciting is the continued focus on Cincinnati as a destination for talent and entertainment.

I must preface my recap with a disclaimer.  Unfortunately this year I did not make it to all the events.  I missed Monday, Thursday, Friday and Sunday (I know that is half the week).  Even more unfortunate I am told Monday and Thursday were total parties.  However, on the fortunate side I had the pleasure of meeting the fabulous young blogger team of “The Fagazine” fashion blog (www.thefagazine.com) early in the week so I never felt out of the loop.  

Heading out to Tuesday’s event I had the internal monologue, “do I bring my big camera? It doesn’t really go with my outfit and will I lose the moment trying to capture each piece of it on film? But will I be satisfied with my elf quick pics?”  I opted to leave the large camera at home and was regretting it when I met my new friends Zach Shumate editor-in-chief of The Fagazine, Ryan Seminara contributor and photographer of The Fagazine, and Drew Reidenbach freelance publicist at The House of Orange.  Not only are these guys incredibly fun but we also have similar taste in fashion.  When I “oohed” at a design or pattern that caught my eye I found Zach “aahing” and Ryan snapping amazing photos simultaneously at the same things!  Needless to say I did not bring the camera or give it a second thought the rest of the week.  To check out the detailed designer pics, play-by-play of the pre, post, and everyday’s fashion week events I highly recommend reviewing all of the posts from May 9 to 14 on www.thefagazine.com.

And now for my personal commentary:

Tuesday May 10, 2011 

Men's Fashion Refinery

What do beautiful men, dapper fashion, orange caution spray paint, beer fermentation, and personal brand management all have in common?  Unexpectedly these were all elements of Tuesday’s “Men’s Fashion Refinery.”  Held at the future location of the Christian Morelein brewery in Over-the-Rhine.  This event combined many elements I find interesting and warmed my industrial chic heart.

[For anyone unfamiliar, Over-the-Rhine is an area of Cincinnati with a rich history.  Settled by German immigrants in the early 1800s, in its prime it was referred to as the “Paris” of the US with high levels of beer production and consumption, entertainment, and success.  Few know this is where Annie Oakley first ran into Buffalo Bill and auditioned for his crew, and this was the first place to introduce Burlesque to the US.  Cincinnati (Over-the-Rhine most severely) was devastated by Prohibition.  Recent and ongoing revitalization of the area has been successful in breathing new life to these streets, successfully highlighting the beautiful architectural details and introducing a new generation to the rich history.  Which brings me back to Men’s Fashion Refinery.]

I dressed casual for Tuesday but I also dressed for single men.  Jeans, flowing tank belted because men like to see a figure.  I opted for funky fresh accessories with a large white FoundryM garden chain and white watch.  For punch of color I went all out with my DeGroot hand bag (yeah for DeGroot, a local accessories designer) and personalized Tahari pumps spray-painted orange.  The OSHA orange spray paint caught a lot of attention and coordinated with the décor’!

I parked on a sidewalk, walked past a local porch party, and entered a visually stimulating warehouse full of Range Rovers, BMW, and Jaguars’ on display and a sign that stated my entrance constitutes release of my image for the filming of a mysterious production.  I grabbed a new Christian Moerlein summer brew, scanned the crowd of ridiculously dapper looking men of all ages, and perused the tables of local male fashions.

Men’s’ fashion is an area of fashion to which I have only recently been introduced.  In my limited experience it seems the success is in the details.  It is exciting to see Cincinnati has a great representation of beautiful modern and youthful menswear. 

Artfully Disheveled designer Christopher Berre focuses on high quality and interesting patterns with his collection of ties and pocket squares.  As a constitutional amendment supporter and adventurous type I am particularly fond of “the six shooter” tie pattern.  Not to mention I now have a crush on the voice of the “the network” blog on www.artfullydisheveled.com Not sure who is posting but I am following.  Products are available for purchase locally at 45/46 XY Inspired on Erie Ave and Pomegranate & Lime on Wooster Pike in Cincinnati; on the Artfully Disheveled website; New York, and Chicago.  Check out www.artfullydisheveled.com for more information.

Corwyn Apparel designer Corwyn Thomas also focuses on high quality and interesting patterns with much success but what really grabbed my attention was the brand new bow tie that is not yet available for viewing on www.corwynapparel.com (get excited as you are now privy to a new trend) they called it something specific and for the life of me I cannot remember what they called it (!?!Blog fail?!?), “The block” perhaps?  Let me describe it: bow tie in solid colors from pastel purple to electric orange all with white trim tied fat and slightly undone.  Love it!  You will have to visit the showroom to see these in person which may sound like a chore but after talking to Michael Warner the regional sales manager about the private fittings and events they host I am not only sold on the “block?” bowties but also on the experience.  Join the mailing list or contact Corwyn apparel directly by visiting www.corwynapparel.com

Jonathan Mezibov was the third menswear designer featured at Tuesday’s event.  He also provided a stunningly handsome collection in Saturday’s Fashion Finale runway show.  Beautifully tailored slim cut shirts with modern proportions in interesting patterns are the focus.  I was especially partial to the spread collar button down with a bib front in deep purple.  It had a pleating detail similar to a tuxedo.  Interesting enough to be noticed in a crowd but casual enough to be comfortable out on a Saturday night.  The purple is not yet shown but look forward to shopping for it on www.jonathanmezivbov.com

Moving from the expose` of all things male to a large back seating area for an interesting presentation on personal branding.  Key take-away:  be mindful of fit, location where wearing something, personal ascetic and differentiators, and attention to the details.  Elbow blowouts no more gentleman.  It may just blow your dapper man brand.

At any moment a model like photographer may be in a subbasement in Cincinnati looking stylish.

After the presentation the brewery tour was an interesting end to my evening.  As this is the “future” location of Christian Moerlein, the brewery that was toured was the 1880 brewery that originally inhabited the location.  This was great.  Similar to the “underground tour” described in one of my earlier blog posts, we started in the clean and refurbished warehouse main setting, traveled down narrow stairs, a hole in the floor accented with the previously mentioned orange spray paint, and into dank, mud dug tunnels to the malting subbasements that produced the millions of gallons of pre-prohibition brew.  I loved the relaxed tour guide, beer in hand and full of knowledge, and was especially amused by women in four inch heels climbing and trekking where heels have never been before.    

Tuesday was an evening of adventure.

Wednesday May 11, 2011

Tea with Mary

You know I love a day at the museum.  So it is no surprise I loved Wednesday’s Tea with Mary Baskett.  I arrived at the Cincinnati Art Museum too late for tea but in time for Mary and Cynthia Amneus, the associate curator of clothing and textiles at the Cincinnati Art Museum, to provide a video tour of Mary’s extensive collection of Yojhi Yamamoto, Rei Kawakubo (Comme de Garcons) and Issey Miyake.  Collecting since the 1970s Mary is dedicated to these designers.  Hearing her descriptions you can feel her appreciation and fearless dedication to wearing their creations.  And I love that she totally makes it all work. 

I loved hearing Mary’s stories of how and where she acquired key pieces.  Seeing the passion Mary clearly has for the unconventional forms, especially for the designs of Rei Kowakubo, was really inspiring.  I want to start a collection of something specific and stay dedicated to being stylish and rocking it for decades!  I was really struck by the soft spoken description of Japanese fashion appreciation of “the beauty in being undone.” 

After hearing this phrase I couldn’t help but get a little ticked at myself for not being so fearless and not celebrating the beauty in being undone.   I had intended to make a fantastic orange skirt out of fabric repurposed from the table decorations at my friend’s baby shower.  It was a great punching color but with limited construction skills and no pattern I abandoned it as part of my outfit because it ended up a little lopsided, kind of incomplete looking, and a little unflattering with little fit.  As I looked at Mary in her beautiful green skirt with a thick roll at the waist looking totally chic all I could think about was how I needed to be more fearless.  Her is what I wore and here is me celebrating my homemade creation since I didn’t on Wednesday.

 

What a beautiful place for a reception on the stairs of the art museum.  Great place for stiff drinks, delicious appetizers, a dj, and mingling.  I was excited to have an opportunity to express my love of the clothing and textile exhibits directly to Ms Amneus and I am now considering becoming a friend of the art museum.  Did you know if you are a friend of the art museum you are able to actually make an appointment for personal art consultations with a curator?!?  I don’t have any art to consult about but just knowing that is an option totally makes me want to join!

What a beautiful place for a fashion show as well.  Models, hair by Mitchells, dressed by Fetish boutique, and makeup like little porcelain dolls with pursed lips, paraded down one side of the stair case, into the crowd, and then up the other.  Fantastic showing!  (Check out http://www.thefagazine.com/2011/05/cincinnati-fashion-week-day-3.html for great shots of the show).  With so many interesting and wearable options on display it was hard to pick a favorite but the hot pink zippered shoe-booties paired with a structured grey dress may have pulled into the lead for me.  Well that or the all black leggings, black top, and red pumps accented with a black fedora painted with a woman’s face that Mary Baskett’s friend, equally as chic as Mary, was wearing.  Wednesday was possibly the coolest tea in history.

Saturday May 14, 2011

Fashion Finale

Enter through the side door, pass the docked boats, take the open walled elevator with the suited elevator operator, and emerge into the stark white walls and artfully columned industrial chic space that is “The Edge!”  All white chairs and a white runway snaking through the space ensure a perfect backdrop for the designer creations.  Seating section wrist bands color coordinated with vitamin waters placed on chairs were a subtle way of directing attendees to the appropriate section and the runway route was a brilliant way of ensuring that everyone was sitting first or second row. 

Outfit watching while waiting for the show to start was also incredibly entertaining.  Everyone did it up demonstrating personal style to the max.  Of course, I made my outfit, whip stitching an uneven hem 20minutes before leaving, and emboldened by the mantra “beauty in being undone” I wore it safety pin backing up my hook-and-eye closure and all.   The idea was to let the beauty of the intense purple fabric envelop me.  Creating a new shape with the fabric but still focusing on the fit needed for a curvy figure by letting it show through.  Lets be honest, I really didn’t need much more than that fabric to look fabulous.  I think the effect came across, imperfections and all.  Wasn’t the most polished look but I got some compliments and, most importantly, I loved it. 

The show:

Lindsey Lusignolo artfully combines tulle, Swarovski crystals, feathers, architectural details and great attention to fit to create drama and just a generally spectacular collection.  Focusing on custom bridal and evening wear pieces she offers the option of a couture experience through direct contact and collaboration http://www.lindseylusignolo.com/ and, coming soon, a showroom on Main street in Cincinnati. Had I seen some of the designs demonstrated in the runway show ahead of time I probably would have contacted Lindsey Lusignolo for a dress to the event in lieu of my creation, (although as a local favorite I wouldn’t have been the only one attending wearing a Lindsey.  Probably still would have been ok with that…). 

Personal favorites from Lindsay’s collection included the cream floor length satin gown with plunging back and silver Swarovski crystal and tulle leaf detailing; black sweet heart neckline with sculpted bodice and feathered explosion cocktail length number; and the maroon with electric violet sheen taffeta and violet tulle accent cocktail length dress.  Oh and the finale bridal number cream with a grey tulle explosion with grey origami like bustle, I can’t even put to words you are going to need to see for yourself (http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-lindsay.html#more)…I could go on all day but the pictures say it all. 

I mentioned Jonathan Mezibov when talking about Tuesday  (see above) but while talking about the runway show let me reference more details by providing another link http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale.html

Laura Dawson is another designer with local ties.  I loved what she put down the runway and I love that she also has an online store http://www.lauradawson.com/ She is currently working out of London with distribution around the globe but for Cincinnati fashionistas this online access is key.  Her playful designs are full of interesting details and brilliant colors.  Personal favorite for me was the pink “scuba skirt” and fitted crochet sweater.  I loved the pattern of the sweater, they way she styled it with nothing underneath, and it looked super soft.  She also featured many beautifully fit and detailed fall trenches that for a split second made me excited for the first falling leaves before even reaching the summer months (that NEVER happens) http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-laura.html for the full playful play-by-play.

If you love femininity with a bit of playfulness you are going to love Amy Kirchen http://www.amykirchen.com/ Her website does not give you the full extent of awesomeness that she showcased at the 2011 Cincinnati Fashion Week show.  She also has a boutique on Main Street in Milford Ohio and I am planning a trip as we speak to shop for spring.   I want the white large pocketed and belted romper and black jumpsuit.  The jumpsuits, the rompers, the patterns, the a-line skirts, and tailored office looks with blouson top blend references of the 1950s’, 60s’, and 70s’ but their modern tailoring and relaxed sex appeal say, “I’m not going to be your house wife or secretary unless it suits me.” http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-amy.html

Amare Sinh is edgy and elegant. http://www.amaresinh.com/ blending cultural influences from around the globe the designs are a unique blend of colors and textures.  I love a texture fashion play.  On the website the gold blazer is something I could see heightened to classic status in my closet.  At the show, I was impressed with the designer’s use of full faux fur pelts in a way that still highlighted the lithe figures of the models.

Cala Ossidiana swimwear collection http://www.calaossidiana.com/ was understated with its focus on solid colors and classic lines but with mesh insets, knot backs, and seductive extra long ties these suits were anything but basic. http://www.thefagazine.com/2011/05/cincinnati-fashion-week-cala-ossidiana.html If you like prints you are out of luck but if you like multiple options for how to move the bikini strings to avoid tan lines, and not seeing other people wearing the same suit, you are going to want to check the Cala Ossidiana options.

Amanda Valentine http://www.amandavalentine.com/ hand makes each piece.  Where Amare Sinh was a texture play I would describe Amanda Valentine as a pattern play as she artfully combines interesting patterns in unexpected ways.  I found her sliced dresses to be visually interesting and I really loved the statement jewelry pieces that adorned many of the looks.  She has a link from her website to her etsy store which I am hoping to find freshly stocked in short order.

Arbitrage made its second Cincinnati Fashion week appearance. http://www.arbitrage.com/ You may find the Arbitrage man familiar from Cincinnati Fashion week 2010 or you may find it familiar from some of the many Hollywood hunks that dawn the duds on the red carpet.  The interesting details are really what make this line.  Last year seemingly basic shirts were lined in poker themed patterns and this year, while patterns still played a role in the collection they were toned down and subtle by comparison.  My favorite part about the Arbitrage 2011 runway showing was the interesting and cool hooded shirt.  I could see it paired with a 22inch funky fresh garden chain from Foundry M on a casual weekend!   Favorite item on the Arbitrage website: “movember” Manchu mustache shaped cufflinks!

Melissa Tabor http://melissatabor.com/ does dresses well.  Exposed zippers, check; understated colors and interesting textures, check; fit and structural details, check and check.  I found each of her pieces to be incredibly wearable.  While she represented options for every occasion (love the formal cream low back number) I found the structured top day dresses and interesting suiting to be the strong point of the collection.  They could easily be styled to go from day to evening and provide comfort for a woman on the go in places often overlooked.  Pockets for a day dress are borderline essentials anymore in a skirt full enough to handle them and her zipper ties allowing for self closure (or easy opening) were unexpected, looked chic, and are totally convenient.

Avni Trivedi is all about fabric. http://www.avnitrivedi.com/ Focusing on sustainable fabrics, sourced from traditional artisanal production means across the globe blended old world culture with new areas of global importance.  Many of the silhouette proportions were unusual but allowed for the fabric to remain the focus of the design.  Personal favorites were the white shirt with floral embroidered hem, the use of scarfing, and the finale dress that was a beautiful combination of fabrics and demonstration of draping.  Also, while I do not think I could ever wear a horizontal striped pant I still remain strangely enamored with them… check out the full details at http://www.thefagazine.com/2011/05/cincinnati-fashion-week-finale-avni.html   

The After Party

After three fantastic hours of fashion awesomeness it was on to the after party at the Weston Art Gallery.  Have you been to the Weston Art Gallery?  Admittedly this was my overdue first trip.   My intention was to tour the exhibit before diving completely into the “Exhibitionism” themed party but we decided to get a cocktail first… A return visit to the gallery is in short order as there was no turning back after making the trip to get drinks.  The cocktails were located through the gallery, past the participation art (the half naked man you could paint at your whim), past the wall of large round mirrors, past the woman in the bathtub full of feathers, past the floor to ceiling delicate white fringe, past the dance floor, the deejay, the face painting artist, spoofs of recognizable art in the buff, and past countless patrons in all levels dismissing their inhibitions.  Everywhere you looked there was something interesting to look, touch, or taste.  The x mango flavored vodka with soda and a splash of OJ was reminiscent of the vitamin water I had earlier and just as refreshing.  After a few of these, a little dancing, and a bit of saucy “Framester” photo booth pictures with new friends, and the night was over before I made it back to check out the art.  This party was refreshing art in itself. 

…Ok the evening may have ended a little later after chips, guacamole, and after several more hours of dancing but that is going to be for another blog.  I am fabulously exhausted!

A day of art appreciation in Cincinnati

The vibrant blue sky lays backdrop to the vibrant, translucent yellow and red leaves of fall.  The sun shone warm on it all and a gentle breeze cooled.  It is a good day to be alive.  I took this beautiful fall day to appreciate art in Cincinnati. 

First stop was Holy Cross church in Mount Adams for THE GLOBAL TREE PROJECT HANGING GARDEN by Shinji Turner Yamamoto http://www.globaltreeproject.org/ http://www.globaltreeproject.org/hanginggarden.html Not to be confused with Holy Cross church of the immaculata also in Mount Adams, Holy Cross Church that holds this exhibit is “the old monastery” at 1055 St Paul Place.  This exhibit is striking and beautiful; a marvel of construction with a living tree suspended high above the ground.  A second dead tree’s roots are used for support but striking is the visual representation of this tree as roots.  What depth and girth of the roots for a tree so demure above ground.   I could not help but think, “such is the key for survival in an equally unstable everyday.”

Global Tree Project: HANGING GARDEN 2010 dead and live white birches 12 m (40 feet) tall 19th century Holy Cross Church, Cincinnati, Ohio, USA (National Register of Historic Places)  photo credit: Shinji Turner-Yamamoto http://globaltreeproject.org/press/press.html

This exhibit is further heightened by the contrast of the sustained life of the brilliant white birch tree against the muted remains of the dilapidated monastery.  The curator shared the effort and work that went into finding and securing this location.  Deconsecrated in the 1970s as a church the now privately owned space has sat as storage space for much of the last 3 decades slowly crumbling.  For me seeing this was also a marvel.  Despite its rust, grit, and crumble the decommissioned church maintains a rustic majesty.  It is interesting to see the bones of such a structure and to be allowed to view a space long closed to the public.  Arches and remnants of gilded paint remain while stark scars stand where catholic frescos were cut from the walls.  Still there remains most visible a chalice, repeated cross and crucifix pattern, golden rays depicting holiness, and the saying, “the passion of our lord Jesus Chris be always in our hearts” as a backdrop for this triumphant marvel of artistry and life.  

The Global Tree Project exhibit remains open until October 18^th when there will be a ceremony to remove the tree from its current perch and return it to the soil it so desperately needs.  You still have time to check it out.  A beautiful companion exhibit DISSAPEARANCES by Shinji Turner Yamamoto is also on display at the Contemporary Art Center.  I visited this exhibit a few weeks ago on a cold day when indoor viewing was preferred.  The artist removed some of the pieces of aged plaster from crumbling Holy Cross church, manipulated them, infused them with gold and silver and made beauty out of the forgotten.  This exhibit runs until January 30, 2011 http://contemporaryartscenter.org/shinji Being able to see both pieces of this instillation was a treat as the two exhibits, gilded crumblings', and the living tree suspended and floating, are made more impactful by the other.

Next stop on my day of art appreciation was the Cincinnati Art Museum http://www.cincinnatiartmuseum.org/ , also in Mount Adams, for WEDDED PERFECTION a collection of wedding dresses from the past two hundred years, and MODERN WOMAN an exhibit focusing on the works of Thomas Gainsborough.  These two exhibits are currently referred to in the advertisements as, “the Vow and the Wow,” and are overlapping in showing until January 2, 2011. 

I love fashion, I feel it is art, and there is nothing I love more than a celebration of stylish women and fashion as art in an exhibit.  That is what drew me to the museum today.  I must admit I do not think I have been to the art museum since elementary, maybe high, school but the experience was quite good.   I had few expectations but the visit exceeded what few expectations I had.  First off, did you know admission is free all the time?  Parking is $4 but if you buy anything in the gift shop then your parking is free!  Like I need encouragement to shop…  I wandered through the halls for a few hours, checked out both of my destination exhibits, but still did not get to see and explore every area… I did get a chance to explore the gift shop.  Cincinnati Art Museum may be my new go-to-spot for the next few rainy days.

Back to the exhibits:

THOMAS GAINSBOROUGH AND THE MODERN WOMAN was a little bit of a surprise for me.  You enter with a neon sign, “Modern woman,” and then find yourself among portraiture from Georgian England.  I didn’t know anything about Thomas Gainsborough (totally outing myself as an art novice) and was expecting something more along the lines of the American Woman: Fashioning a National Identity that I visited at the Met in NYC this September.  The Met exhibit was a combination of fashion and multimedia presentation depicting women from the last century and today; it followed a format that would have mirrored the Wedded Perfection exhibit.  So I was surprised when I walked into MODERN WOMAN but I was not disappointed.  I found I would have wanted to hang out with Thomas Gainsborough had I been a woman in Georgian England. 

Reading every piece of explanation available for the portraits in this exhibit, and having a thoughtful explanation of historical context and art dissection available, was really what made Thomas Gainsborough cool to me.  There was ample example of his skill as an artist, and the explanation of his beliefs and state of mind made me a fan.

Gainsborough was a famous portraiture of his time but his style was known as the contemporary in this area.  The strong brush strokes I would have noticed without explanation but knowing that this made him the modern artist of his day spoke to me as a novice lover of modern art.  The strength of the brush strokes blending the subject into the background and creating a less detailed background had the effect of a photograph that leaves the background out of focus.  I love that he focused detail on the subject faces, and that he showed movement with a combination of detail and broad strokes so that trees appeared to dance in the breeze.  He also paid attention to dress.  Portrait information pointed out the message each style of dress sent, from traditional for the time, to barely detailed and so looking undressed, to the highest fashion of the time.  The painting of Mrs. Siddons, an actress of the day, depicted a blue on blue-stripped dress that in person appeared to have been a light blue burned out velvet or perhaps satin ribbon stripes on silk chiffon.  I love this.  I want to make a dress out of this fabric even though I only know it from the painting!  Another painting had what appeared to be gilded fabric pressed into pleats on the hem of a dress.  Upon close examination it was a smushing of gold paint that appeared to be scrapped off with a comb.   Without knowing the historical context I noticed the focus on texture. I love his beautiful attention to detail, and thoughtfully placed lack of detail.

Thomas Gainsborough (1727–1788), England

Ann Ford (later Mrs. Philip Thicknesse)

1760

oil on canvas

Bequest of Mary M. Emery, 1927.396

http://www.cincinnatiartmuseum.org/absolutenm/templates/ArtTempExhibitions.aspx?articleid=993&zoneid=65

I also loved Gainsborough’s use of light and highlighting of strong women.  Each of his subjects detailed faces’ were illuminated in contrast to the blurred darker backgrounds, almost jumping off of the canvas.  You really only get the full effect of this skill by viewing the painting in person and I feel like the use of lighting is the mark of good art.  If you can make this jump off the canvas and smack me in the face, you must be good.  So he clearly had that going for him.  There was one painting of Ann Ford where the light focus was not so much on her face.  I wasn’t sure if maybe the painting was dirty or if it was intentional.  At first I thought the focus was more on her chest.  I looked closely and thought I might have seen what was supposed to be a hint of nipple! I was confused; Thomas was a supporter of strong and talented women in a time when this made them somewhat scandalous.  He educated his daughters and did not think of them as property to be married off as so many attitudes of the day.  Why would he focus attention on the chest?  But then I read the accompanying description of Ann Ford, a talented musician in her day when there were few women musicians.  Then my attention focused on the Edwardian guitar with its neck across her chest, the cello in the background was further confirmation.  I could almost hear her tell Thomas, “Make it not about me but about the music.” I was quickly restored to Gainsborough fan status.   The exhibit may not have depicted modern day women but it did a great job of conveying the artists support of the strength and so many of the characteristics present in women of today.  I loved THOMAS GAINSBOROUGH AND THE MODERN WOMAN.

WEDDED PERFECTION: TWO CENTURIES OF WEDDING GOWNS was pretty much just what its name states, a showcase of dresses through the ages.  It was beautiful to see the artistry of so many varieties of gowns, great to see changing trends and familiar traditions, and refreshing to hear the origins and statements behind many of the designs. 

Wedding Dress (detail) 1887,

silk, beads, faux pearls,

Gift of Mrs. Frances

Lamson Eaton, Mr. and Mrs. Alfred W. Lamson, Mr. and Mrs. Benjamin

Whitney Lamson, Jr., 1971.320

http://www.cincinnatiartmuseum.org/absolutenm/templates/ArtTempNews.aspx?articleid=1019&zoneid=110

Items that made me take note in the exhibit:

A.     The repeated reference to Vera Wang’s influence on the modern day bridal gown.  Known for her simplicity and modern form she is credited with being the influence of the day much like House of Worth influenced the gowns a few hundred years ago.  I had not thought much about it but looking back to the 80s with poof sleeves, ball skirts, beads, fake flowers, lace, and ample clouds of polyester all in one culmination of two hundred years of dress accoutrements placed together on a top heavy bride… THANK YOU Vera Wang for being the first to bring it back down a notch. 

B.     I must tell my friend Mega about one of the best done wedding dresses with feathers as embellishment I have seen on display in this exhibit…also Vera Wang

C.     Orange blossoms and branches were often attached to dresses as a symbol of fertility in the past as it is the only tree to flower and bear fruit at the same time.  And it would be a kick ass greenery option for wedding decor.  Why don’t people use that now to decorate for weddings?

D.    Wedding dress = statement of personal style for brides be it 1820 or 2010.  From honoring tradition and sharing gowns; to avant garde and re-wearing gowns to parties I loved that the exhibit acknowledged so many details and statements that have been lost over the years

E.     These dresses are sexy.  Exposed cleavage and shoulders today are the corseted waists, hourglass figures, and exposed ankles of yesterday.

F.     Lace yellows and changes color with age.  It is helpful to have accompanying pictures to get an idea of what the dress looked like in its prime.

G.     Corseting your waist to 12 inches is ridiculous.  While the exhibit didn’t speak of it the women walking through the exhibit did.  Did you know the corseting actually moved the placement of organs in our tethered ancestors?  One onlooker also credited such body morphology as a contributing factor to death in childbirth.  Very glad that the freakishly small waist is no longer a measure of coolness today.

H.    The details of embroidery, beading, lace work, etc is without contention art.

This exhibit found the perfect ending for me as I was leaving and seeing the setup for a wedding at the art museum.  The marble staircase, the cool quiet of emptying halls, and strategic lighting were oh so romantic as the bridal party bustled through for pre wedding pictures on the courtyard lawn.

A beautiful day spent admiring inspiration that has been right there but I never took the time to see.  I drove home with the windows opened and admired the art of the day.